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    <title>AWH Magazine — Art</title>
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    <description>Exhibitions, commissions and artists whose work migrates into clothing, with honest reporting on when a collaboration is real and when it is licensing.</description>
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      <title>The Museum Argument: How the Costume Institute Put Fashion in the Canon</title>
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      <description><![CDATA[With more than 33,000 objects and a century of scholarship, the Met's Costume Institute made the garment legible as authored work. An essay on the museum argument.]]></description>
      <pubDate>Wed, 26 Aug 2026 08:53:08 GMT</pubDate>
      <dc:creator>Sylvie Marchand</dc:creator>
      <category>Art</category>
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      <title>The Potter Who Dresses the Country: Grayson Perry, Claire and the Argument of a Garment</title>
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      <description><![CDATA[Grayson Perry: the 2003 Turner Prize accepted as Claire, ceramics and tapestries that read British class through what the country wears.]]></description>
      <pubDate>Mon, 10 Aug 2026 12:00:00 GMT</pubDate>
      <dc:creator>Sylvie Marchand</dc:creator>
      <category>Art</category>
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      <title>The Grid and the Body: How Yves Saint Laurent Turned a Mondrian Painting Into a Dress</title>
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      <description><![CDATA[In August 1965 a Paris couture show sent out a handful of shift dresses built to hide their seams inside a painter's grid — and made a career-long argument about where fashion ends and art begins.]]></description>
      <pubDate>Mon, 10 Aug 2026 08:40:08 GMT</pubDate>
      <dc:creator>Sylvie Marchand</dc:creator>
      <category>Art</category>
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      <title>Everything Must Go: Keith Haring&apos;s Pop Shop and the Original Art-Merch Experiment</title>
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      <description><![CDATA[Keith Haring's Pop Shop of 1986: art sold as affordable merchandise on Lafayette Street, the blueprint for every artist-fashion collaboration since.]]></description>
      <pubDate>Mon, 27 Jul 2026 12:00:00 GMT</pubDate>
      <dc:creator>Margot Deveraux</dc:creator>
      <category>Art</category>
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      <title>The Color Field Winter: What Rothko Taught the Minimalist Coat</title>
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      <description><![CDATA[Color-field painting, from Rothko's Seagram murals to Newman's zips, and the monochrome logic behind minimalist coats and tonal dressing.]]></description>
      <pubDate>Sun, 05 Jul 2026 12:00:00 GMT</pubDate>
      <dc:creator>Sylvie Marchand</dc:creator>
      <category>Art</category>
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      <title>Patterns With a Conscience: William Morris&apos;s 19th-Century Motifs and Fashion&apos;s Long Borrowing</title>
      <link>https://awhmagazine.com/art/william-morris-patterns-the-19th-century-motifs-fashion-keeps-borrowing/</link>
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      <description><![CDATA[William Morris's patterns, from Strawberry Thief in 1883 onward, and why fashion keeps borrowing the Victorian archive of indigo birds and boughs.]]></description>
      <pubDate>Sun, 07 Jun 2026 12:00:00 GMT</pubDate>
      <dc:creator>Ida Dahl</dc:creator>
      <category>Art</category>
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      <title>The Unnatural Portraits: Cindy Sherman&apos;s Fashion Photography as Critique From the Inside</title>
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      <description><![CDATA[Cindy Sherman's fashion commissions for Interview in 1983–84 and 1993–94: the fashion image critiqued from the inside, with its own equipment.]]></description>
      <pubDate>Mon, 11 May 2026 12:00:00 GMT</pubDate>
      <dc:creator>Margot Deveraux</dc:creator>
      <category>Art</category>
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      <title>Dots, Taken Seriously: Yayoi Kusama From the Village Happenings to Louis Vuitton</title>
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      <description><![CDATA[Yayoi Kusama's polka dots: from 1960s New York happenings and Infinity Nets to the 2012 Louis Vuitton collaboration with Marc Jacobs.]]></description>
      <pubDate>Tue, 14 Apr 2026 12:00:00 GMT</pubDate>
      <dc:creator>Ida Dahl</dc:creator>
      <category>Art</category>
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      <title>Structure, Not Decoration: Anni Albers and the Textile Lesson Fashion Hasn&apos;t Finished</title>
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      <description><![CDATA[Anni Albers turned weaving into structural design, from the Bauhaus to On Weaving in 1965 — the textile lesson fashion still hasn't finished learning.]]></description>
      <pubDate>Tue, 17 Mar 2026 12:00:00 GMT</pubDate>
      <dc:creator>Sylvie Marchand</dc:creator>
      <category>Art</category>
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      <title>When Picasso Dressed a Dancer: The Ballets Russes and the Costume as Modern Art</title>
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      <description><![CDATA[Diaghilev's Ballets Russes: Picasso's cubist costumes for Parade in 1917 and Matisse's Le Chant du rossignol in 1920, the stage as modern art.]]></description>
      <pubDate>Wed, 18 Feb 2026 12:00:00 GMT</pubDate>
      <dc:creator>Ida Dahl</dc:creator>
      <category>Art</category>
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      <title>The Dress as Canvas: Elsa Schiaparelli, Salvador Dalí and Fashion&apos;s Surrealist Years</title>
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      <description><![CDATA[The Schiaparelli–Dali collaboration: the 1937 lobster dress worn by Wallis Simpson and the tear dress of 1938, fashion's Surrealist high point.]]></description>
      <pubDate>Thu, 22 Jan 2026 12:00:00 GMT</pubDate>
      <dc:creator>Ida Dahl</dc:creator>
      <category>Art</category>
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      <title>Before the Factory: Andy Warhol&apos;s Shoe Decade, When a Hand Drawn Line Paid the Rent</title>
      <link>https://awhmagazine.com/art/warhols-fashion-illustrations-the-commercial-decade-before-the-factory/</link>
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      <description><![CDATA[Andy Warhol's 1950s blotted-line fashion illustrations and I. Miller shoe ads, the commercial decade that quietly invented Pop Art's mechanics.]]></description>
      <pubDate>Tue, 30 Dec 2025 12:00:00 GMT</pubDate>
      <dc:creator>Margot Deveraux</dc:creator>
      <category>Art</category>
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