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The Diagonal Grain: The Bias Cut and the Invention of Modern Drape

By Margot Deveraux

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Fashion & Textile Collection Explorer

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Explore the data · Source: Smithsonian Institution

The Diagonal Grain: The Bias Cut and the Invention of Modern Drape

The Museum Argument: How the Costume Institute Put Fashion in the Canon

Sarah Burton Appointed at Givenchy, the House Announces

The Met Opens New Galleries With Costume Art Exhibition

The Twenty-Five Passages: What the Law Requires Before a Dress May Be Called Haute Couture

The Diary Made Fabric: Inside Iris van Herpen's Sculpting the Senses at the Brooklyn Museum

The Grain of the Cloth: How Madeleine Vionnet Cut the Dress Free of the Corset

The Dinner That Pays the Curators: How the Met Gala Underwrites Fashion's Place Inside the Museum

The Raggedy Ann Eye: How Twiggy Turned a Rag Doll's Painted Lashes Into the Face of the 1960s

The Potter Who Dresses the Country: Grayson Perry, Claire and the Argument of a Garment

The Grid and the Body: How Yves Saint Laurent Turned a Mondrian Painting Into a Dress

Giorgio Armani 1934 To 2025: The House Without Its Founder

Pearls, Tulle and the Long Shadow of the Nursery: Simone Rocha's Dollhouse History

Fashion & Textile Collection Explorer