
The Real Story Behind Artificial Intelligence in Art: How the Images Are Made and What They Ask of Artists
A plain-language look at how AI-generated imagery actually works, what it borrows, and where the human hand still matters.

Advertising, affiliate commerce and sponsorship pay for fashion journalism. Here is how each works, and where independence holds or frays.
Before the first sketch comes the board. How fashion's creative directors build mood boards, and how to read the visual language they set for a season.
Where dressing finds its references.

A plain-language look at how AI-generated imagery actually works, what it borrows, and where the human hand still matters.

A step-by-step method for standing in front of any canvas and finding what it is actually saying.

The Met's Costume Institute holds more than 33,000 garments and accessories, and its fifty-year project of exhibiting dress as art history changed how both museums and fashion houses understand the garment.

Unmade hair, bare skin and a deliberate streak of imperfection defined the season's backstage.

Four artificial nail systems, ranked by what actually matters: how long they last, what they cost, and what they take from the nail underneath.

Contouring is less a trend than a drafting exercise — shadow placed where light would fall, and adjusted face by face.

Miuccia Prada and Raf Simons dropped trousers and dresses entirely. Here is how their method translates into everyday dressing.

Tailoring loosened, red sharpened, and frog closures walked out of the archive. The pavement was the more interesting runway this season.

A single dress makes a long journey before anyone photographs it. Here is the route it travels, from first drawing to final fitting.

How scattered interests become a coherent practice — and why coherence, not talent, is what gets a young artist noticed.

Casting and hiring decisions are made in under a minute. Here is what to show, what to cut, and how to sequence the work so the right image lands first.

Before the silhouette, before the show, there is the cloth. Fabric selection is the quiet decision that tells you who a house is.

A shopping editor's seasonal list is less a haul than a method. Here is how to read it, and how to apply it to any retail assortment, this fall and after.

Verification is the quiet craft behind every reported profile. Here is how the checking actually works, and why it matters months later.

The schedule, the buyers, the seats, and the machinery that decides what reaches the shop floor.

The bias cut is cloth turned diagonally — laid at 45 degrees to the woven grain — so that it drapes rather than hangs, stretching with the body's movement and clinging to its contour without a single dart, and the…

Before the logo, before the label, there is the join — and the houses that sew their names into it.

The designer who spent 26 years at Alexander McQueen — 13 of them as creative director — takes the creative direction of Givenchy, per the house's announcement in December 2024.

Costume Art, opening May 10, 2026, is the first show in the Costume Institute's new Condé M. Nast Galleries, staging nearly 400 garments and artworks together to argue for fashion's place within art history.

Haute couture is not a compliment in France; it is an administrative status.

A mid-career retrospective now on view in New York gathers two decades of 3D-printed, mycelium-patterned, and bioluminescent couture, arguing that van Herpen's real subject was never a single material but a method.

Working in Paris from 1912 to 1940, Vionnet built her house on one technical argument — cloth cut across its grain drapes instead of hangs — and then, a decade into her fame, quietly cut against her own signature.

Fashion's foothold inside the Metropolitan Museum of Art rests on a single night of fundraising.

In 1966, London's most photographed teenager attributed her signature eye to a childhood toy, not a makeup artist — a small, documented detail that explains why the look outlived the decade that made it famous.