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Diagonal folds of pale silk on a plinth

The Diagonal Grain: The Bias Cut and the Invention of Modern Drape

By Margot Deveraux

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Shop the Edit

Considered selections, checked prices, clear disclosures.

Sculptural folds of undyed cloth on a plinth

The Museum Argument: How the Costume Institute Put Fashion in the Canon

Tailoring shears and undyed cloth in museum light

Sarah Burton Appointed at Givenchy, the House Announces

The Met Opens New Galleries With Costume Art Exhibition

The Met Opens New Galleries With Costume Art Exhibition

The Twenty-Five Passages: What the Law Requires Before a Dress May Be Called Haute Couture

The Twenty-Five Passages: What the Law Requires Before a Dress May Be Called Haute Couture

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Latest Stories

The Diary Made Fabric: Inside Iris van Herpen's Sculpting the Senses at the Brooklyn Museum

The Diary Made Fabric: Inside Iris van Herpen's Sculpting the Senses at the Brooklyn Museum

Ida Dahl

The Grain of the Cloth: How Madeleine Vionnet Cut the Dress Free of the Corset

The Grain of the Cloth: How Madeleine Vionnet Cut the Dress Free of the Corset

Lucia Fontaine

The Dinner That Pays the Curators: How the Met Gala Underwrites Fashion's Place Inside the Museum

The Dinner That Pays the Curators: How the Met Gala Underwrites Fashion's Place Inside the Museum

Margot Deveraux

The Raggedy Ann Eye: How Twiggy Turned a Rag Doll's Painted Lashes Into the Face of the 1960s

The Raggedy Ann Eye: How Twiggy Turned a Rag Doll's Painted Lashes Into the Face of the 1960s

Camilla Williams

Infographic chart of British wardrobes across social classes from pub to countryside

The Potter Who Dresses the Country: Grayson Perry, Claire and the Argument of a Garment

Sylvie Marchand

A wool shift dress pieced together mid-air like a Mondrian canvas, with black grid lines becoming visible across the fabric.

The Grid and the Body: How Yves Saint Laurent Turned a Mondrian Painting Into a Dress

Sylvie Marchand

Minimal editorial chart of a founder succession with family and foundation nodes

Giorgio Armani 1934 To 2025: The House Without Its Founder

Sylvie Marchand

Pearl-beaded tulle dress on a vintage stand in soft window light

Pearls, Tulle and the Long Shadow of the Nursery: Simone Rocha's Dollhouse History

Lucia Fontaine